Davinci Resolve Studio 15 2 3 – Professional Color Correction

Chaos control 1 6 2012. Bitperfect 3 2 0 f. Blackmagic Design today announced DaVinci Resolve 15, a massive update that fully integrates visual effects and motion graphics, making it the world's first solution to combine professional offline and online editing, color correction, audio post production, multi user collaboration and now visual effects together in one software tool.

1. Davinci Resolve Studio 15 2 3 – Professional Color Correction Kit
2. Davinci Resolve Studio 15 2 3 – Professional Color Correction Tool
3. Davinci Resolve Studio 15 2 3 – Professional Color Correction Cartridge

Davinci Resolve Studio 15 2 3 – Professional Color Correction Kit

Prior to posting the questions here, I've read and watched the relevant sections on all available reliable documentation and trainings, including 'DaVinci Resolve 15.3 Reference Manual', 'DaVinci Resolve 15 Definitive Guide', 'DaVinci Resolve 15 Color Correction', 'Davinci Resolve 15 Editing & Color Grading 101 by Ripple Training', 'DaVinci Resolve 15 Advanced Color Grading by Ripple Training' and relevant YouTube videos by Goat's Eye View - but found no direct answers to the following questions.

Introduction DaVinci Resolve 15 — Certified Configuration Guide 3 Introduction Building a professional all in one solution for offline and online editing, color correction, audio post production and visual effects DaVinci Resolve has evolved over a decade from a high-end color correction system used. Tv pilot 2 0 2. Dec 14, 2018 DaVinci Resolve Studio 15.2.2 – Professional color correction. GetInMac / on December 14, 2018 December 14, 2018 Featured Video Video Editing Rate This App/Post.

Though I have a technical background (a retired sound engineer, electronics technician and long-time amateur photographer), I'm an amateur videographer and a hobbyist, beginner video editor and colorist. Thus, some of the following questions may relate to basic video knowledge, not necessarily related exclusively to DR. Please bear with me.

The questions:
1. DaVinci Resolve > Preferences > System.
In order to change the system settings (when there are changes to the system, or PC), one need to log on as 'administrator'. However, alas, when I first installed DR I logged on only under my name, not as 'administrator'. In order to have 'administrator' user, will I need to uninstall DR completely and install it again?
2. DaVinci Resolve > File > Project Settings > Color Management > Input Color science.
When not working with ACES, is 'DaVinci YRGB Color Managed'(RCM) the recommended option?
3. DaVinci Resolve > File > Project Settings > Color Management > Input Color Space.
For AVC/H.264 footage coming from DSLRs (especially Canon's), (1080p 8bit), is the correct 'Input Color Space' > 'Rec. 709, Gamma 2.4', or what?

The questions:
1. DaVinci Resolve > Preferences > System.
In order to change the system settings (when there are changes to the system, or PC), one need to log on as 'administrator'. However, alas, when I first installed DR I logged on only under my name, not as 'administrator'. In order to have 'administrator' user, will I need to uninstall DR completely and install it again?
2. DaVinci Resolve > File > Project Settings > Color Management > Input Color science.
When not working with ACES, is 'DaVinci YRGB Color Managed'(RCM) the recommended option?
3. DaVinci Resolve > File > Project Settings > Color Management > Input Color Space.
For AVC/H.264 footage coming from DSLRs (especially Canon's), (1080p 8bit), is the correct 'Input Color Space' > 'Rec. 709, Gamma 2.4', or what?
4. DaVinci Resolve > File > Project Settings > Color Management > Timeline Color Space.
In what cases should it be different from the Input Color Space and/or Output Color Space?

Davinci Resolve Studio 15 2 3 – Professional Color Correction Tool

5. DaVinci Resolve > File > Project Settings > Color Management > Output Color Space.

Davinci Resolve Studio 15 2 3 – Professional Color Correction Cartridge

5a. For YouTube, Vimeo and commercial TV stations, 8bit delivery, should the 'Output Color Space' be 'Rec. 709, Gamma 2.4', or what?
5b. Is there any change when the delivery is 10bit?
5c. In what cases it should be 'Gamma 2.2' or anything else?